2022 № 1

Dante

Natalia Mazur. Two Dantes. On the Poet’s Portrait by Agnolo Bronzino

Purism

Vitaly Mishin. From Cubism to Purism (In Relation to a Group of Drawings from the Pushkin Museum Collection)

Museum

Vincenzo Trione. Orhan Pamuk’s Wunderkammer. The Museum of Innocence Translated by Alexandra Timonina

Iconography

Sophia Zinchenko. “The Lady of the Rietberg” from Luristan: Iconographic Programme

Renaissance

Yulia Revzina. “Exoticisms” in Architectural Thought of the Italian Renaissance: The East, Athens, Constantinople, and the Gothic

Elena Efimova. Jean Goujon and Raphael’s Legacy. Part I. Early Career in Rouen

Historical painting

Maria Chernysheva. “Princess Tarakanova” vs “Tsarevna Sophia”. Sensitive Feminization of History in the Art of the 19th Century

Art Criticism

Olga Davydova Alexander Kiselev's Artistic and Critical Views (Based on the Materials from “Artist” Journal and Archival Sources)

Russian Avant-garde

Galina Serova. The Gift of a Monumentalist. Natalia Goncharova’s Sketches for the Wall Paintings, 1915 and Late 1950s

Futurism

Ekaterina Lazareva. Futurist Style: Extravagance and Uniform

Vladimir Sedov. Drawings of One Estate. Review of: Arkhangelskoye Estate. Architectural Graphics. From the Collection of Arkhangelskoye MuseumEstate. Catalogue / Ed. by T. Dudina, M. Krasnobaeva, Y. Klimenko. Moscow: Kuchkovo Pole Museon, 2021

Maria Chukcheeva. “Manufacturing the Past”. International conference. European University at St. Petersburg. 2–4 November 2021