2016 №4

Warburg

Ovanes Akopyan. Monica Centanni: “The real killer of Warburg's legacy was Gombrich”

Iconology

Mikhail Iampolsky. Allegory in the Painting of Vitaly Komar

Vitruvius

Оlga Medvedkova. In the Beginning, There was Fire. Vitruvius and the Origin of the City. Authorized translation by Nikolai Molok

Filarete

Yulia Patronnikova. Between Ideal and Reality: Filarete’s Libro architettonico and Other Urban Planning Projects of the Renaissance

Theatre

Tatiana Shovskaya. Stage Design for a Theatrical Performance in Honour of the House of Habsburg in Prague Castle (1617)

Olga Petrunina. Cockpit-in-Court: the Theatre of Inigo Jones

Cold war

Sergei Fofanov. Greenberg vs. Kemenov. The Irrelevance of Two Cultures

Clement Greenberg. Irrelevance versus Irresponsibility. Translated by Olga Serebryanaya

Anna Florkovskaya. “Abstract art is hooliganism on a world scale”. Contemporary French Art at Moscow Exhibitions (1957, 1961)

Alexei Kurbanovsky. Headless Horsemen: Official Soviet Art of the 1960s-1970s in the Context of International Pop Culture

Alla Vershinina. V. Yumangulov, N. Khadeyeva, Sculptures of the Lower Park and Upper Garden: Catalogue of the Collection (complete catalogue of the art collection of the Peterhof State Museum and Park). St. Petersburg: Peterhof State Museum and Park, 2016

Valery Ledenev. Nicolas Bourriaud, Relational Aesthetics / Postproduction. Translated from French by Alexei Shestakov. Moscow: Ad Marginem Press, 2016

Tatiana Gnedovskaya. Western Art. 20th Century. 1960s. International conference. State Institute for Art Studies, Moscow, 14–16 September 2016

Anastasia Loseva. The History of Art and “Rejected Knowledge”: from the Hermetic Tradition to the 21st Century. The Second International Sarabianov Congress of Art Historians. State Institute for Art Studies, Moscow, 6–7 October 2016