2022 ¹ 4



Marina Sviderskaya. The Notion of “Nothing” in Leonardo da Vinci’s Worldview. The Problem of Time in Italian Renaissance Painting


Alexei Kurbanovsky. “Raised from the Pit of Hell”: Mikhail Vroubel, Friedrich Nietzsche, and Art after the “Death of God”



Roman Kholev. “Portrait of a Young Man with a Medal” from the Hermitage Museum: The Author, the Model, its Allegorical Programme


Natalia Shcherbakova. Ñommedia dell’Arte Masks: From the Image of Italian Theatre to the Portrait of French Society

Art and Politics

Alla Aronova. The Triumphal Routes of Peter the Great as a Precedent for the Formation of Secular Public Space: Azov, Poltava, Derbent

Alexandra Strukova. Nikolai Lakov’s Agitation Art of the 1910s–1920s. Street — Army — Club


Olga Pevsner. The USSR Pavilion at the Venice Biennale, 1924. Reconstruction of the Exhibition

Appendix. Catalogue of Paintings, Exhibited at the USSR Pavilion


Nikita Erofeev. Painting or Photography? Alexei FedorovDavydov and Exhibiting Photographic Materials in the Tretyakov Gallery

Art and Science

Vladlena Gromova. First Manifesto of “Science Art”: The Origins of a Notion

Installation Art

Svetlana Makeeva. Installation Art in the USSR: Origins, Emergence, Terminology


Irina Karpenko, Olga Skorobogataya, Anna Korndorf . “Venetians in St. Petersburg”. International Conference. State Museum of the History of St. Petersburg, Rumyantsev Mansion, 20 October 2021