Theory
Leonardo
Marina Sviderskaya. The Notion of “Nothing” in Leonardo da Vinci’s Worldview. The Problem of Time in Italian Renaissance Painting
Symbolism
Alexei Kurbanovsky. “Raised from the Pit of Hell”: Mikhail Vroubel, Friedrich Nietzsche, and Art after the “Death of God”
History
Iconology
Roman Kholev. “Portrait of a Young Man with a Medal” from the Hermitage Museum: The Author, the Model, its Allegorical Programme
Theatre
Natalia Shcherbakova. Ñommedia dell’Arte Masks: From the Image of Italian Theatre to the Portrait of French Society
Art and Politics
Alla Aronova. The Triumphal Routes of Peter the Great as a Precedent for the Formation of Secular Public Space: Azov, Poltava, Derbent
Alexandra Strukova. Nikolai Lakov’s Agitation Art of the 1910s–1920s. Street — Army — Club
Exhibitions
Olga Pevsner. The USSR Pavilion at the Venice Biennale, 1924. Reconstruction of the Exhibition
Appendix. Catalogue of Paintings, Exhibited at the USSR Pavilion
Photography
Nikita Erofeev. Painting or Photography? Alexei FedorovDavydov and Exhibiting Photographic Materials in the Tretyakov Gallery
Art and Science
Vladlena Gromova. First Manifesto of “Science Art”: The Origins of a Notion
Installation Art
Svetlana Makeeva. Installation Art in the USSR: Origins, Emergence, Terminology
Cronicle
Irina Karpenko, Olga Skorobogataya, Anna Korndorf . “Venetians in St. Petersburg”. International Conference. State Museum of the History of St. Petersburg, Rumyantsev Mansion, 20 October 2021
