2021 № 1

Baroque

Vidmantas Siliunas. Festive and Everyday in the Baroque Art

Genre

Sofya Dmitrieva. The Role of Genre in the Eighteenth-Century French Theory of Painting

Collage

Alexei Kurbanovsky. “Unauthorized Behavior of Everything”. Сollage — Dada — “estrangement theory”

Exhibitions

Ilia Doronchenkov. Claude Monet, Wassily Kandinsky and the Emperor: French Art Exhibition of 1896–1897 in St. Petersburg and Moscow

Art collecting

Alexei Petukhov. The Third Generation of Collectors of “New Art”. An Attempt in Its Characterization

Russian avant-garde

Alexander Inshakov. Mikhail Larionov’s Late Pictorial Work

Neo-classicism

Ilya Pechenkin. Apotheosis of the Facade. Ivan Zholtovsky’s House on Mokhovaya Street in the Context of Architectural Neoclassicism of the First Half of the 20th century

Vitruvius

Ekaterina Igoshina, Ilya Anikyev, Anna Markova. Handwritten Marginal Notes by Daniele Barbaro in Vitruvius’s 1511 Edition from the Pushkin State Museum of Fine Arts Collection: Attribution Path and Dating Method

Natalia Zlydneva. Wassily Kandinsky. On the Spiritual in Art. The Complete Critical Edition with Addendum and Other Texts on the Science of Art. In 2 vols. / Compiled and edited by Nadezhda Podzemskaya. Moscow: BooksMArt, 2020

Evgenia Shidlovskaya. Raffaello Santi – the Artist and the Myth. The Problem in Its Historical, Artistic and Cultural Coverage. On the 500th anniversary of the artist’s death (1483–1520). VII Conference in the Memory of Evsey Rotenberg. State Institute for Art Studies, Moscow. 8 December 2020