2020 №№ 1-2

Energetism

Ekaterina Andreeva. History of Art in the Era of Energetism. Joffe / Eisenstein

Self-portrait

Natalia Zlydneva. Portrait of the Artist as an Old Man: Typology, Semantics, Pragmatics

Jewellery

Ramil Verzagov, Galina Kolganova, Vera Smolenkova. A Silver Bracelet with Poppy-head Finials from the Pushkin State Museum of Fine Arts. Attribution and Analogies

Olga Potokina. Images and Meanings of Metalwork Art of the Migration Period

Scenography

Alexandra Konshakova. Landscape with a Waterfall by Antoine Watteau in the Context of Landscape Scenery on the French Stage in the Early 18th Century

Iconography

Ekaterina Gavrilova. The Statues of Osiris-Antinous from the Collection of Count Sheremetev and Egyptian Motifs in Decoration of the Ostankino Palace Theatre

Visuality

Daria Martynova. Mademoiselle Bécat at the Café des Ambassadeurs by Edgar Degas: the Image of the Hysteric-Epileptic Body

Simbolism

Natalia Shcherbakova. The City is “Other People”. The Image of the City in the Art of James Ensor

Museology

Alexei Petukhov. Museums of New Art between the Wars: Searches for Form and Architecture

Design

Artem Dezhurko. The “Contemporary Style” of Interior Décor in Soviet Criticism of the 1960s

Russian avant-garde

Alexei Rodionov. New Findings about the 0,10 Exhibition and its Organizer Ivan Puni

Igor Smekalov, Evgeny Alekseev. Petr Sokolov and Anna Boeva: Practitioners of the “Futurist Revolution”
Appendix 1. Biographical outline
Appendix 2. Memoirs of Anna Boeva

Alessia Cavallaro. Translations and Dialogues: The Reception of Russian Art Abroad / Ed. by Silvia Burini. Salerno: E.C.I. Edizioni Culturali Internazionali, 2019 (Europa Orientalis, Vol. 31)

Ksenia Gusarova. Figures of Speech and Visual Figurations in Early Modern Culture: Transpositions and Permutations. International Colloquium, School of Modern Humanities Research, Russian Academy of the National Economy and Public Administration, Moscow, 24 February 2020