2021 №4

Iconography

Nikolay Azovtsev. Vita aсtiva, vita contemplativa: Images of the Desert Fathers in the Art of Proto-Renaissance Central Italy

Polina Podshivalova. The Timestamp: Graphic Sources of Antique Reminiscences in Jan Weenix’s Hunting Still-lifes

Attribution

Alexei Larionov. Drawings from the “Vrancke van der Stockt Group”. To the History of One Scholarly Delusion

Svetlana Kokareva. Portraits of Contemporaries and Antique Reminiscences in the Works of Giovanni Battista Weder

Landscape painting

Vladimir Petrov. The Emergence of Moscow School of Landscape Painting and German Romanticism. Karl Rabus

Art Nouveau

Eleonora Paston. National Tradition as a Source of the Art Nouveau Style: Russia – Western Europe

Exhibitions

Mikhail Dedinkin. “First All-German Art Exhibition” (1924–1925): The Art of German Avant-garde and Russian Public

Productivism

Oksana Voronina. Museum as a Place of Power: Moscow Museum of Painterly Culture and Society of Easel Artists

Riabushinsky

Natalia Semenova. Ignacio Zuloaga y Sabaleto’s Paintings in Mikhail Riabushinsky’s Collection. Based on Artist’s Letters to the Collector

Tigran Mkrtychev. Ivan Kudryashov. To the 125th Anniversary of the Artist’s Birth. Exhibition catalogue / Texts by I. Pronina and I. Smekalov. Moscow: State Tretyakov Gallery, 2021

Ekaterina Vyazova. Italian Futurism. Manifestos and Programs. 1909–1941. 2 Vols. / Ed. with introduction and commentaries by E. Lazareva. Moscow: Hylaea, 2020