2018 №2

Visuality

Andrei Merezhnikov. “The Effect of Close Vision”. Spatial Construction in Mikhail Vrubel’s Painting

Attribution

Andrei Batalov. The Church of the Nativity in Besedy in the Architectural Space of the Late 16th Century

Renaissance

Ekaterina Tarakanova. The Artistic Ensemble of the Niccoline Chapel in the Vatican. Papal Power and the Art of Rome

Anna Vinogradova. Leonardo da Vinci’s Annunciation. The Image of the Harmony of the Universe in Painting

Margarita Lyalinskaya. Raphael’s Work for the Theatre: in Search of a New Scenography

Institutions

Marat Ismagilov. From Public Sphere to Art Market: the Society for the Encouragement of Artists in the 1820s

Ekaterina Usova. The Munich-Paris-Russian Colony. Notes on the Moscow Society of Artists in the 1900s

Industrial architecture

Natalia Shashkova. The Moscow-Kursk Railway: Stations, Architects, Images

Photography

Olga Averyanova. The Photogram: Questions of Indexation

Indian modernism

Elizaveta Kuzina. The Mystical Body of Indian Modernism: Souza, Swaminathan, Paniker Appendix. Octavio Paz, “Poema para mi amigo Swaminathan, el pintor”. Translated by Elizaveta Kuzina

Viennese actionism

Danila Bulatov. The Art of Catharsis. Viennese Actionism and the Overcoming of Generation Trauma

Andrei Shabanov. Rosalind Polly Blakesley. The Russian Canvas: Painting in Imperial Russia, 1757–1881. New Haven, London: Yale University Press, 2016

Tatiana Gnedovskaya.Art of the 1950s —1980s. USSR — Italy: Parallels and Intersections. Round Table. Kunsthistorisches Institut in Florenz — Max-Planck-Institut, Florence, 28 May 2018