2020 № 3

Rayonism and futurism

Ekaterina Bobrinskaya. Mikhail Larionov’s Rayonism and Italian Futurism. Matter and Emptiness

Beauty

Ksenia Gusarova. “Cosmetic” Canvasses and “Painted” Faces: Make-up and the Visual Arts in Europe (1670 to the 1920s)

Installation

Svetlana Makeeva. Installation Par Excellence and Avant la Lettre: the Historical Boundaries of Art Practice

Iconology

Maria Demidova. The Iconologia of Cesare Ripa: Atlas of Memory and Manifesto of an Idealist

Alexei Larionov. Venus, Bacchus and Ceres by Hendrick Goltzius: Technique, Theme and Place in the Artist's Biography

Iconography

Ekaterina Mikhailova-Smolnyakova. Moresca, Morris, Mattaccino: the Iconographic Canon of Choreographic Deviation

Attribution

Irina Artemieva. Veronese’s Woman Taken in Adultery from the Soranzo Palace: Attribution and the Story of a Commission

Elizaveta Abramova. Johann Heinrich Hurter: His Enamels Made for Catherine II

Rossica

Iana Sokolova. Monumental and Decorative Painting by Venetian Artists During the Reign of Elizabeth Petrovna: the Nature of the Creative Process

Costume

Anna Korndorf. Choix d’anciens costumes russes: Archaeology, the National Style and the Greek Project of Catherine II

Nevsky prospect

Sergei Kuznetsov. A Facade for His Majesty. The Stroganov Palace, the Singer Company Building and the Beloselsky-Belozersky Palace: Nevsky Prospect as an Architectural Ensemble

Olga Nazarova. Martin Kemp. Living with Leonardo: Fifty Years of Sanity and Insanity in the Art World. Translated into Russian by Irina Litvinova. Moscow: Slovo, 2019