2024 №4
History
Russian Medieval Art
Maria Orlova. On the Design of Cyrillic Part of the Reims GospelLev Lifshits. “Deesis with Sts. Barbara and Paraskeva”. An Attempt to Look Anew at the Monument, which has Long Been Included in the History of Russian Art
Andrei Batalov. The Cathedral of Moscow Nativity Convent, its Dating and Place in a Typological Context
Leonid Beliaev, Kirill Ganichev, Svetlana Grigorian. Architectural and Archaeological Studies in Moscow Nativity Convent. Preliminary Results. Appendix. Moscow Nativity Convent — 2023. Description of Graves
Maria Romanenkova. Russian Icon Painting in the Soviet Format: The Publication History of Kira Kornilovich’s Book “A Window into the Past”
Renaissance
Olga Nazarova, Regina Gaynullina. The Courtesan in the Italian Renaissance Art: Portraits of Barbara Salutati by Domenico PuligoMiniature
Ekaterina Zolotova. University Diplomas by Giovanni Alvise Foppa’s Workshop in Russian Collections
Interior
Natalia Sipovskaya. The Farm Palace: A Country Dacha in the Imperial Residence
Voyage
Anastasia Loseva. Voyage to the Duat. The Nile, the Sphinx and the Pyramids in the Paintings of Orientalist Artists of the Second Half of the 19th — Early 20th CenturyCollecting
Natalia Markova. Collecting Drawings and Prints in Russia: From the Beginning to the Present Day. Part IIICultural Politics
Veronika Nikiforova. Solomenka Workshops: An Unknown Initiative of Maria Yakunchikova to Support Kustar CraftsPolina Aliaksina. Mass Enlightenment or Professional Education? Correspondence Courses and the Soviet Cultural Politics of the 1930s
Art Criticism
Oksana Voronina. How the “Highway of Modern Art” Led to a “Disease that Seemed Fatal”: Soviet Critics on the Art of the Society of Easel ArtistsBooks
Natalia Sipovskaya. Review: Denis Diderot’s Salons. Exhibitions of Contemporary Art in Eighteenth-century Paris. Exhibition catalogue. Moscow: Pushkin Museum of Fine Arts, 2023T atiana Gnedovskaya. Significant Trifles and Natural Absurdities. [Review: Implicit. The Trifles and Absurdities of Alexander Ermolaev. The concept of the book: Olga Khaldeeva. Moscow: Moscow Museum of Modern Art, 2024]
