2025 №3

Summary

Theory

Antique

Irina Fedotova. Sergei Romanovich’s “Antique Principle”

Sergei Romanovich. On the Antique Principle. Publication and commentaries by Irina Fedotova

History

Attribution

Sophia Zinchenko, Galina Kolganova. A Bracelet with Tips in the Form of Lion Head from the Collection of the Pushkin Museum of Fine Arts: Preliminary Attribution

Renaissance

Ekaterina Zolotova. The Unknown Fragment of an Italian Manuscript of the 14th Century from the State Tretyakov Gallery

Irina Klimova. The Brussels Blieskaps and Netherlandish painting of the 15th –16th Centuries: The Possibility of “Reverse Translation”

Elena Efimova. Between the Word and the Image: “Imaginary Antiquity” in Renaissance Architectural Graphics

Anfisa Rumyantseva. “Antiquarum Statuarum Urbis Romae” by Giovanni Battista Cavalieri as an Iconographic Compendium

Iconography

Maria Vlasova. The Iconostasis of the Peter and Paul Cathedral in St. Petersburg. The Issue of Iconographic Source

Art and Politics

Alla Aronova. Anna Ioannovna vs Peter I: 1730–31 (The Issue of Legacy)

Visuality

Yulia Zherdeva. Konstantin Korovin, Impressionism, and Camouflage on the Eastern Front of the Great War

Exhibitions

Maria Belikova. Neue Sachlichkeit: A Century-Long Perspective

Cultural Politics

Polina Aliaksina. “How Can Art be Taught by Correspondence when It Needs to be Seen?”: Distance Art Education at GAKhN

Books

Tatiana Karpova. [Review] Korpus dzieł malarskich Henryka Siemiradzkiego / Pod redakcją J. Malinowskiego. T. 1–4. Warszawa–Toruń: Polski Instytut Studiów nad Sztuką Świata & Wydawnictwo Tako, 2021–2022